On n'est pas sérieux quand on a 17 ans Un beau soir, foin des bocks et de la limonade Des cafés tapageurs aux lustres éclatants... No images? Click here PORTRAIT FROM VIENNA Fotografische Anstalt I. Hofbauer, Wien, Landstraßer Hauptstraße 2 (poss. 1876) “ARTHUR RIMBAUD AND PHOTOGRAPHY”(INQUIRY). VI. With a Book Upside Down — Or How … Continue reading 17.07.2025 Photo Diary from the Senigallia Biennale – Day 23. RIMBAUD AT VIENNA: THIS PORTRAIT IS NO ORDINARY ONE
Month: July 2025
16.07.2025 Photo Diary from the Senigallia Biennale – Day 22. SOME ROADS LEAD RIMBAUD TO VIENNA
Until now, only a handful of clues supported the theory of Rimbaud’s trip to Vienna. The picture changes with the discovery of a detailed German newspaper article, based on the police report of his arrest in Vienna on 26 February 1876. No images? Click here BIENNALE DI SENIGALLIA • Caspar David Friedrich - Rocky Ravine … Continue reading 16.07.2025 Photo Diary from the Senigallia Biennale – Day 22. SOME ROADS LEAD RIMBAUD TO VIENNA
15.07.2025 Photo Diary from the Senigallia Biennale – Day 22. RIMBAUD’S PHOTOGRAPHIC ADVENTURE IN HARAR
Thanks to the work of several generations of enthusiasts, and to Hugues Fontaine’s careful analysis of the available sources in his recent book, we may conclude that Rimbaud’s photographic adventure in Harar lasted only a single month: May 1883. No images? Click here BIENNALE DI SENIGALLIA First View. Dodun de Keroman, Former Raouf-Pacha House, Harar, … Continue reading 15.07.2025 Photo Diary from the Senigallia Biennale – Day 22. RIMBAUD’S PHOTOGRAPHIC ADVENTURE IN HARAR
14.07.2025 Photo Diary from the Senigallia Biennale – Day 20. JEAN-HUGUES BERROU: FOLLOWING RIMBAUD IN HARAR
The third article focuses on the place Rimbaud chose to return to three times—Harar, a city that resists easy description: ancient, dignified, and for centuries encircled and isolated. A place with no hospital, where being wounded meant real danger No images? Click here BIENNALE DI SENIGALLIA “ARTHUR RIMBAUD AND PHOTOGRAPHY” III. Following Rimbaud in Harar. … Continue reading 14.07.2025 Photo Diary from the Senigallia Biennale – Day 20. JEAN-HUGUES BERROU: FOLLOWING RIMBAUD IN HARAR
13.07.2025 Photo Diary from the Senigallia Biennale – Day 19. HUGUES FONTAINE: Rimbaud on the shores o f the Red Sea
This second study devoted to Arthur Rimbaud and the world of photography presents highlights from the conference of Hugues Fontaine, focusing on Rimbaud’s Silhouette on the shores of the Red Sea No images? Click here BIENNALE DI SENIGALLIA Persian miniature from the mid-19th century, merchants sailing on the Red Sea “ARTHUR RIMBAUD AND PHOTOGRAPHY” II. … Continue reading 13.07.2025 Photo Diary from the Senigallia Biennale – Day 19. HUGUES FONTAINE: Rimbaud on the shores o f the Red Sea
12.07.2025 Photo Diary from the Senigallia Biennale – Day 18. ANDRE GUYAUX ON ARTHUR RIMBAUD’S PORTRAI TS
This article introduces a series of five studies devoted to the subtle and growing interest in the relationship between Arthur Rimbaud and the world of photography. No images? Click here BIENNALE DI SENIGALLIA “ARTHUR RIMBAUD AND PHOTOGRAPHY” I. Portraits of Rimbaud the Poet. Conference by André Guyaux The Biennale di Senigallia had the honor of … Continue reading 12.07.2025 Photo Diary from the Senigallia Biennale – Day 18. ANDRE GUYAUX ON ARTHUR RIMBAUD’S PORTRAI TS
11.07.2025 Photo Diary from the Senigallia Biennale – Day 17. The Mysteries of Photography: Postcards for a New Generation
A series inspired by collectible traditions — Pokemon and Panini - bringing together art, history, and a bit of playful curiosity. No images? Click here I MISTERI dellaFOTOGRAFIAPOSTCARDS Photo Diary from the Senigallia Biennale – The Mysteries of Photography: Postcards for a New Generation “I Misteri della Fotografia” (“The Mysteries of Photography”) is a growing … Continue reading 11.07.2025 Photo Diary from the Senigallia Biennale – Day 17. The Mysteries of Photography: Postcards for a New Generation
10.07.2025 Photo Diary from the Senigallia Biennale – Day 16. COLOMBIA: REFLECTIONS IN A SILVER EYE
Don’t look for a parody of the John Huston film—here, the silver eye belongs to a young woman, her portrait taken as a daguerreotype. The reflection you see is that of a solid silver chamber pot—stolen silver, once sacred to Amerindian divinities. No images? Click here BIENNALE DI SENIGALLIA At the Entrance: The Silver Chamber … Continue reading 10.07.2025 Photo Diary from the Senigallia Biennale – Day 16. COLOMBIA: REFLECTIONS IN A SILVER EYE
09.07.2025 Photo Diary from the Senigallia Biennale – Day 15. MIRACLE OF THE VIRGIN OF CHIQUINQUIRÁ
First article in the series “COLOMBIA – THE PRODIGIOUS RENEWAL OF THE IMAGE.” The exhibition at Visionaria (via Marchetti, behind Palazzo del Duca) is open throughout July. No images? Click here BIENNALE DI SENIGALLIA COLOMBIA – “THE PRODIGIOUS RENEWAL OF THE IMAGE” The exhibition at Visionaria (via Marchetti, behind Palazzo del Duca) is open throughout … Continue reading 09.07.2025 Photo Diary from the Senigallia Biennale – Day 15. MIRACLE OF THE VIRGIN OF CHIQUINQUIRÁ
08.07.2025 Photo Diary from the Senigallia Biennale – Day 14. NIEPCE AND THE LITHOGRAPHIC STONE
This article shows just how easy it is to lose your way when exploring the history of Nicéphore Niépce and the invention of photography—a field where many errors still persist. Fortunately, there is one essential resource... … Continue reading 08.07.2025 Photo Diary from the Senigallia Biennale – Day 14. NIEPCE AND THE LITHOGRAPHIC STONE